The Making

"'Chisholm Trail' was a real challenge not only in the approval process, but during the actual sculpting. I wanted to create the illusion of cattle moving off into the distance by having the piece gradually shift from low to high relief, then to three-dimensional form. All sculptors have to manipulate is light and shadow. The relief, though only a few inches thick in places, must give the impression that it's popping out at you."

To achieve the necessary effect, Moore relies on his comprehensive research of the masters, dissecting their work to see through the artistic magic. Whether commissioned portrait or gallery work, he always evokes an atmosphere around the piece, providing a heightened perception that changes with the viewer's movement.

"Though I initially take a methodical approach. the artistic side must kick in. A totally methodical piece would be very sterile. I think constantly about body, muscle, and structure. I cover every inch, and though I don't always know what the essential elements are, it must have the ability to move independently. My primary goal is to capture the essence.